HUMANCENTRIC — a miketeevee original
[ 1 script / 8 films ]
Woman in a full silver mirror-sequin bodysuit — MikeTeevee
Cowboy in a dark coat and hat, dusted with snow — Infrarouge, Scoria
Laughing man in white tux with tentacles — REO, Something Came Over Me
Man with a storm cloud over his head — Blumquist, Not Finished Yet
Woman in a Victorian blouse and skirt holding a whiskey — Veronika Pell (MindEye), The Regular
Bird-headed figure in a glitter suit — Szauder, Ladder
Ram-horned man in a trench coat — Gizem, The Hunter
Bird-masked figure in white uniform hoisting a rifle — DoopiiDoo, Patternson
MIKE PRESENTS

HUMANCENTRIC is an original storytelling platform conceived, curated and produced by MikeTeevee.

The format exists as a film series and immersive installation, designed to evolve across festivals, galleries, brands and cultural spaces.

To explore the emerging language of AI filmmaking, MikeTeevee invited Oscar-nominated writer Efthimis Filippou to write a single scene.

That script was then handed to eight artists, each working with AI as one of their filmmaking tools.

The brief was simple — everything could change except the dialogue.

One script. Eight films. Very different worlds.

8 films / 8 artists / 1 scene

The scene. By Efthimis Filippou

The typewritten script page for the scene, by Efthimis Filippou

While the script follows a washed-up Lieutenant confronting a barman over the brutal murder of his family, the interpretations diverge wildly, unfolding across surreal, noir, uncanny worlds.

At its core, HUMANCENTRIC is an exploration of interpretation: how the same piece of writing can divide into different cinematic worlds through different creative voices. At a time when AI is often framed as a replacement for human craft, HUMANCENTRIC offers a different perspective: AI as a creative partner, shaped by human instinct.

When I started writing scripts 20 years ago I was really annoyed that the film had nothing to do with what I’d imagined. Now I know that is the best thing that can happen to a script. And to know it happened eight times… what a pleasure.
— Efthimis Filippou

[ it also asks a simple question ] If everyone has access to the same tools, what actually makes the difference?

BAR, EVENING. A 60-year-old man goes up to the barman. His trench coat is wet; his hat is too. He lights a cigarette. MAN You know a Peterson? BARMAN I don't know any Peterson. And don't you ever set foot in here again. MAN Watch your mouth. Or there'll be trouble. In case you were wondering. BARMAN Now you listen to me, Lieutenant. Just face facts. Peterson killed your wife and your four kids and you're nothing but a washed-up old drunk. Ain't no-one scared of you. So beat it, before I beat you to a pulp. MAN I'll be seeing you again soon. Maybe next time I won't be so nice. The man leaves. BARMAN Piece of trash…

The films

BlumquistGizem Akdağ & Ege Berkina AkdağDoopiiDooAnna Réka & David SzauderVeronika PellREOInfrarougeMikeTeevee
[ 01 / 08 ]
Blumquist

Not Finished Yet

watch the film
[ 02 / 08 ]
Gizem Akdağ & Ege Berkina Akdağ

The Hunter

watch the film
[ 03 / 08 ]
DoopiiDoo

Patternson

watch the film
[ 04 / 08 ]
Anna Réka & David Szauder

Ladder

watch the film
[ 05 / 08 ]
Veronika Pell (MindEye)

The Regular

watch the film
[ 06 / 08 ]
REO

Something Came Over Me

watch the film
[ 07 / 08 ]
Infrarouge

Scoria

watch the film
[ 08 / 08 ]
MikeTeevee

Crow Bar

watch the film

The ninth artist

[ an immersive film experience ]

HUMANCENTRIC is as much about creating new ways to experience film as it is about creating new films.

Rather than presenting the films through a traditional screening, MikeTeevee created an immersive installation that became the project's ninth artist: a new interpretation of the work, through space and audience interaction.

Premiering at AI on the Lot in Los Angeles, visitors entered a gallery transformed into a warped carnival attraction. They spun a Wheel of Fortune, which randomly selected one of the eight films, before being guided into a private curtained viewing booth – part peep show, part confession booth – to experience each film.

The installation transformed passive viewing into participation, creating a surreal and intimate encounter with AI-driven storytelling.

An usher in a red bellhop uniform standing against the red curtains